The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), founded in North Carolina in 1933, made it one of the most innovative schools in the first half of the twentieth century. Visual arts, economics, physics, dance, architecture, and music were all taught here on an equal footing, and teachers and students lived together in a democratically organized community. The first rector of the school was John Andrew Rice, and Josef Albers, John Cage, Walter Gropius, and Buckminster Fuller were among the many adepts to give courses here. In consequence, BMC witnessed the development of a range of avant-garde concepts. This richly illustrated book appears in conjunction with the Black Mountain exhibition. It is the first comprehensive publication on BMC in the German-speaking world and traces the key moments in the history of this legendary school.

Text: Gabriele Brandstetter, Brenda Danilowitz, Arnold Dreyblatt, Fabienne Eggelhöfer, Matilda Felix, Mary Emma Harris, Gabriele Knapstein, Annette Jael Lehmann, Catherine Nichols, Andi Schoon, Craig Schuftan, Alice Sebrell

Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Turbo Decompress - Coll.
Syrtis Major - Barbara Meuli, Antoine Fischer
Les Grands Ensembles - Léo Guy-Denarcy
Tropism - Nhu Xuan Hua
Critique & création - L.L. de Mars
Lavori in corso - Florence Cats & Joseph Charroy
Planning - Pierre Escot
Slikmiks - Mikkel Sommer / Mekl
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Imagos - Noémie Lothe
Le lacéré anonyme - Jacques Villeglé
Christina Forrer - Don’t Swallow Your Tongue
Ilya Ehrenbourg - Et pourtant elle tourne
L'arum tacheté de J-M. Bertoyas
ARTZINES #1, Paris issue 

















