Collected here are 100 faces by the artist Sam Porritt, drawn between the years 2005 and 2008. These drawings, selected from over 300, have all been made using the same materials; china ink applied with a brush to sheets of A3 paper. The immediacy of working with brush and ink and the range of possibility inherent in the blank page allowed the artist space to follow the direction his initial marks dictated. Through the undulating line of the brush and the tapering off of the ink we read speed and tone, the arch of an eyebrow or the crease of a cheek, and inevitably temperament and expression.

Looking at page after page our eye adjusts to the language of marks. Some are drawn with a certain economy; a decisive line while others are over-wrought, unsettled and barely resemble a face at all. It is striking how quickly the lines become animate, how little time it takes us to recognise a face, assess its character and its mood.
Porritt has said that his only guiding principles were that he make the first mark when his mind was as blank as the piece of paper before him, and that each face should be different to what had gone before. The cumulative effect of his search for unexpected expressions and characters is this drawn assembly: an invoked cast or an audience of self-portraits? Perhaps each is a fleeting facet of himself that looks on as it joins the ranks of those that have come before.
200 pages
edited by
Philippe Desarzens
Drawings by
Sam Porritt
Text by Joanna Fiduccia
Poems by Betsy Porritt

Strates & Archipels - Pierre Merle
Idoine & Antonin Giroud-Delorme
Grilles - Zelda Mauger
Dernier royaume - Quentin Derouet
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Theatre - Dan Graham
Breaking Atoms - Alex Besikian
Mercometal
Le déclin du professeur de tennis - Fabienne Radi
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
ADBC du Dessin - Jacques Floret
Alma Mater n°1
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Escape - Makiko Minowa
Illusive prosody - Alex Beaurain
Critique d'art n°55
Un essai sur la typographie - Eric Gill
Hello tomato - Marion Caron & Camille Trimardeau
Un cahier - Michel Quarez
Ilya Ehrenbourg - Et pourtant elle tourne
Rond-point au mammouth - Sur une idée de Veit Stratmann
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Titanic Orchestra - Julien Mauve
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Piotr - Pierre Escot, Denis Lavant
Philonimo - Le Loup de Hobbes - Alice Brière-Haquet, Herbéra
Aristide n°4
Flower finds - Orianne Jeanselme
Lucky Me - Eva Rotreklová & Jules Janssen
Der Erste Rotkehlchen - Le livre
Gros Gris n°4 - Duel
All About Us — Calmer Clearer Closer Nearer - Gloria Glitzer
Je ne peux pas ne pas - Geneviève Romang
Fluent - Laëticia Donval
Rois de la forêt - Alain Garlan
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Barrage de Sarrans - Sandrine Marc
Pectus Excavatum - Quentin Yvelin 



