This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Crampes pâles... Mathilde Brion et Martin Lafaye
Fluent - Laëticia Donval
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Aurore Colbert - Marie Mons
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Optical Sound 3
Le blanc nez - Fouss Daniel
Du Fennec au Sahara - Guillaume Pinard
Benoit - Camille Potte
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Entretiens – Jérôme Dupeyrat
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Dear Paul - Paul Van der Eerden
Sillo n°3 - Le Fauve
Pause - Coll.
UP8 — Pour une pédagogie de l'architecture
Seen - Thibaut Kinder
Hors jeu ! - Naomi Prost-Kasbi
Cyclone - Juliette Chalaye
Deep state - Mathieu Desjardins
Revue La Ronde n°14
Catalogue Art Guys - That's painting productions, Bernard Brunon
L'amie de mes rêves - Violette Gorgiard
Gruppen n°14 - Collectif
The Letter A looks like The Eiffel Tower - Paul Andali
Ici et là - Marie Bonnin
genital or genius - Paul
and everything becomes nothing again - Léa Habourdin
Femme, Arabe et... Cinéaste - Heiny Srour
It was a good day - Jeremy Le Corvaisier
Photographic Fields - Joël Van Audenhaege
Lili, la rozell et le marimba / revue n°2
Le déclin du professeur de tennis - Fabienne Radi
Roven n°4
Slanted 30 - Athens
Le corps travesti - Michel Journiac
Zoom Age - Julien Auregan
Turbo Decompress - Coll.
Dishes for Dolls - Ruth van Beek
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Un cahier - Michel Quarez
Saint Julien l'hospitalier Tome 1 - Claire Pedot
L'internationale modique (AND 3) - J-M. Bertoyas
Je ne peux pas ne pas - Geneviève Romang
Flynn zine # 1 - Flynn Maria Bergmann
Temps d'arrêt - Etienne Buyse
Recto Versu - Bill Noir
akaBB - tribute to Roni horn
Sights - Henry McCausland
Titanic Orchestra - Julien Mauve
Cuadernos - Henry Deletra
Mökki n°2
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Dernier royaume - Quentin Derouet
Bambi # 4 - Collectif 















