This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Tomber dans l'escalier - Jasper Sebastian Stürup
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Prose postérieure - Les commissaires anonymes
Aurore Colbert - Marie Mons
Rasclose - Geoffroy Mathieu
Pectus Excavatum - Quentin Yvelin
Délié - Baptiste Oberson
The Shelf - Journal 3
16 x 421 - Lorraine Druon
La grande surface de réparation - Gilles Pourtier
Photographic Fields - Joël Van Audenhaege
Retour d'y voir - n° 3 & 4 - Mamco
Optical Sound 3
Illusive prosody - Alex Beaurain
Bambi # 4 - Collectif
Titanic Orchestra - Julien Mauve
Musée des Beaux-Arts - Pierre Martel
America - Ayline Olukman, Hélène Gaudy
Assembly - Sam Porritt
Seoul Flowers & Trees - tribute to Lee Friedlander
Dédale - Laurent Chardon
Le Monde en situation - Vanessa Theodoropoulou
Salt Crystal - Fabio Parizzi
Fluent - Laëticia Donval
Gros Gris n°4 - Duel
Le chateau enchanté - Atelier Mclane
L'arum tacheté de J-M. Bertoyas
Bande Annonce - Cinéma & Bande Dessinée - Coll.
akaBB - tribute to Roni horn
De tels baisers - Jul Gordon
La traversée - Magali Brueder
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
A l'origine - Anne-Émilie-Philippe
La construction - Perrine Le Querrec
Papier magazine n°06 - Coupe du monde
Deep state - Mathieu Desjardins
Sillo n°3 - Le Fauve
Alma Mater n°1
Il était deux fois - Gary Colin
Citrus maxima xparadisi - coll.
interférence - 3 - maycec
Three Dice - Aymeric Vergnon
The Book Fight - Chihoi
Mökki n°2 















