This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Artzines #12 Provo Special
Grilles - Zelda Mauger
Trous gris - Michel Vachey
Expériences pédagogiques Workshop La Plata 01. - Collectif - Zeug
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Super Kiblind 3
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Sans titre - Benjamin Hartmann
SKKS - Gilles Pourtier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Idoine & Supermarket
Je ne peux pas ne pas - Geneviève Romang
Design sous artifice : la création au risque du machine learning - Anthony Masure
À partir de n°1 - Coll.
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Halogènure # 09
Soundtrack/s - Rosaire Appel
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Pik Nik à Talinn - Thomas Chmp
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Morph - Camilo García A.
Lumières - Guillaume Chauchat
Collective Design : Alison & Peter Smithson
ARTZINES #1, Paris issue
Ar(t)chitectures situées - Étienne Delprat
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Seoul Flowers & Trees - tribute to Lee Friedlander
☀ - Manon Demarles
It was a good day - Jeremy Le Corvaisier
fil·le·s de polypropylène bleu - coll.
Deep state - Mathieu Desjardins 















