This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Retour d'y voir - n° 3 & 4 - Mamco
Piotr - Pierre Escot, Denis Lavant
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Le singe et le bijoux - Roxane Lumeret
Philonimo - Le Lézard de Heidegger - Alice Brière-Haquet, Sophie Vissière
Le Monde en situation - Vanessa Theodoropoulou
Mökki n°4
Temps d'arrêt - Etienne Buyse
Photographic Fields - Joël Van Audenhaege
Halogénure #04
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Holy etc. - Fabienne Radi
À partir de n°1 - Coll.
Wayfaring - Patrick Messina, André S. Labarthe
Le corps travesti - Michel Journiac
Gruppen n°13 - Collectif
À partir de n°4 - Collectif
Birds - Damien Poulain
Illusive prosody - Alex Beaurain
Dans la Lune - Fanette Mellier
UP8 — Pour une pédagogie de l'architecture
Imagos - Noémie Lothe
Dédale - Laurent Chardon
Atopoz - Collectif
16 x 421 - Lorraine Druon
Sans-Titre - Laurens Van'T Riet
Les Grands Ensembles - Léo Guy-Denarcy
La traversée - Magali Brueder
Le chateau enchanté - Atelier Mclane
Titanic Orchestra - Julien Mauve
The Shelf - Journal 3
Tanière de lune - Maria-Mercé Marçal
Comic Book (Untitled) - Stéphanie Leinhos
Editer l’art – Leszek Brogowski
Papier magazine n°06 - Coupe du monde
Good Company - Paul Van der Eerden
Deep state - Mathieu Desjardins
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Critique d'art n°55
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Pectus Excavatum - Quentin Yvelin
Strates & Archipels - Pierre Merle
Retour d'y voir - n° 1 & 2 - Mamco 















