« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Objets Minces - Collectif
Papier magazine n°06 - Coupe du monde
本の本の本 - antoine lefebvre editions,
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Un essai sur la typographie - Eric Gill
Awakening at the inn of the birds - Aymeric Vergnon
Prose postérieure - Les commissaires anonymes
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Pénurie - Zivo, Jérôme Meizoz
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Ellipse - Ismail Alaoui-Fdili
Perturbations - Rosaire Appel
The Shelf - Journal 3
Optical Sound 3
Aurore Colbert - Marie Mons
The Book Fight - Chihoi
Le dos des choses - Guillaume Goutal
Sillo n°3 - Le Fauve
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Capolavori - Livio Vacchini
Imagos - Noémie Lothe
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Slanted 30 - Athens
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé 













