« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Délié - Baptiste Oberson
Der Erste Rotkehlchen - Le livre
Watch out - Anne-Émilie-Philippe
Mosaïque d'asphalte - Jack Torrance
Gros Gris n°4 - Duel
Dans la Lune - Fanette Mellier
Revue La Ronde n°14
Parataxes + CD - Michael Gendreau
People in a faraday cage - Stéphanie Gygax
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Holy etc. - Fabienne Radi
Aristide n°4
Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Sans-Titre - Laurens Van'T Riet
Débris N°2 - Théo Garnier Greuez
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Bruits - Emmanuel Madec
Retour d'y voir - n° 1 & 2 - Mamco
Objets Minces - Collectif
Aurore Colbert - Marie Mons
The Shelf - Journal 3
Catalogue Art Guys - That's painting productions, Bernard Brunon
Un peu comme voir dans la nuit - Leif Elggren + CD
Optical Sound 2 













