”Like a celebrity’s sunglasses, Alex Besikian’s images actually show everything they want to hide: from intricate, long and carefully crafted photomontages made from photographs of traces & imprints (scotch tape, peeling paint on a wall, broken shop windows, etc.). These images proceed from successive coverings and erasures, deletions, withdrawals. Alex Besikian’s colored surfaces are empty screens that mask missing parts.

On the « Foreshadows » series, as the title suggests, Besikian worked from photographs of shadows cast by objects or cast on surfaces – photographs taken by himself which he combined together but remain invisible to the public. As if emptiness and color had combined to escape the lines and the drawing.
Privilege of the shadow to remain elusive, to flee those who seek to seize it, to project, to cover without canceling, to tint without materiality. Privilege and greatness of the art of Alex Besikian to compete with the shadow, to express what is not, to give shapes and colors to what is missing.”
On the « Foreshadows » series, as the title suggests, Besikian worked from photographs of shadows cast by objects or cast on surfaces – photographs taken by himself which he combined together but remain invisible to the public. As if emptiness and color had combined to escape the lines and the drawing.
Privilege of the shadow to remain elusive, to flee those who seek to seize it, to project, to cover without canceling, to tint without materiality. Privilege and greatness of the art of Alex Besikian to compete with the shadow, to express what is not, to give shapes and colors to what is missing.”
— Laurent Bruel (Editions Matière), 2023

Délié - Baptiste Oberson
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
UPO 2 - J'aimerai être là - Xenia Naselou
ICCMHW - Atelier Choque Le Goff
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
twen [1959–1971]
Musée des Beaux-Arts - Pierre Martel
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Retour d'y voir - n° 1 & 2 - Mamco
Eldorado maximum - Les commissaires anonymes
Escape - Makiko Minowa
interférence - 3 - maycec
Grilles - Zelda Mauger
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
How Many - Nathalie Du Pasquier
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Sights - Henry McCausland
Atopoz - Collectif
Ce que l'histoire fait au graphisme - Clémence Imbert
Der Erste Rotkehlchen - Le livre
Norovirus - Orgie en mers chaudes - Claude Grétillat
Un cahier - Michel Quarez
Blaclywall by Sihab Baik - Claude Closky
Good Company - Paul Van der Eerden
May you Continue to Blossom - Alexandra Dautel
Piano - Joseph Charroy
Fluent - Laëticia Donval
Design sous artifice : la création au risque du machine learning - Anthony Masure
IBM – Graphic Design Guide from 1969 to 1987
Jardín de mi padre - Luis Carlos Tovar
Sillo n°3 - Le Fauve
In The Navy - Julien Kedryna
Je ne peux pas ne pas - Geneviève Romang 







