”Like a celebrity’s sunglasses, Alex Besikian’s images actually show everything they want to hide: from intricate, long and carefully crafted photomontages made from photographs of traces & imprints (scotch tape, peeling paint on a wall, broken shop windows, etc.). These images proceed from successive coverings and erasures, deletions, withdrawals. Alex Besikian’s colored surfaces are empty screens that mask missing parts.

On the « Foreshadows » series, as the title suggests, Besikian worked from photographs of shadows cast by objects or cast on surfaces – photographs taken by himself which he combined together but remain invisible to the public. As if emptiness and color had combined to escape the lines and the drawing.
Privilege of the shadow to remain elusive, to flee those who seek to seize it, to project, to cover without canceling, to tint without materiality. Privilege and greatness of the art of Alex Besikian to compete with the shadow, to express what is not, to give shapes and colors to what is missing.”
On the « Foreshadows » series, as the title suggests, Besikian worked from photographs of shadows cast by objects or cast on surfaces – photographs taken by himself which he combined together but remain invisible to the public. As if emptiness and color had combined to escape the lines and the drawing.
Privilege of the shadow to remain elusive, to flee those who seek to seize it, to project, to cover without canceling, to tint without materiality. Privilege and greatness of the art of Alex Besikian to compete with the shadow, to express what is not, to give shapes and colors to what is missing.”
— Laurent Bruel (Editions Matière), 2023

Der Erste Rotkehlchen - Le livre
Intérieurs - Claude-Hubert Tatot
Denver Mosaic 1961 - René Heyvaert
IMPROVISATION N. 190220 - Miki Lowe
Migrant Mother, Migrant Gender - Sally Stein
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Watch out - Anne-Émilie-Philippe
Critique d'art n°56
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Citrus maxima xparadisi - coll.
America - Ayline Olukman, Hélène Gaudy
Photographic Fields - Joël Van Audenhaege
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Roven n°5
Ventoline 5 - Coll.
Entretiens – Jérôme Dupeyrat
À partir de n°1 - Coll.
L'inventaire des destructions - Éric Watier
Mökki n°2
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
De tels baisers - Jul Gordon
ARTZINES #1, Paris issue
UPO 1 - Earth Art - Rejane Dal Bello
Assembly - Sam Porritt
Farandole - Jérémie Fischer
Prototype 02 - morcellement
Retour d'y voir - n° 3 & 4 - Mamco
People in a faraday cage - Stéphanie Gygax
Atopoz - Collectif
Slanted 24 - Istanbul
Pectus Excavatum - Quentin Yvelin
Deep state - Mathieu Desjardins
Halogénure #04
Darkest Night - Joel Van Audenhaege
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Dessins pour Rugir - Virginie Rochetti
Revue La Ronde n°14
ICCMHW - Atelier Choque Le Goff
Revue Les Saisons n°3
Rasclose - Geoffroy Mathieu
10 MINUTES Architects and Designers in Conversation
Strates & Archipels - Pierre Merle
Gros Gris n°4 - Duel
The Shelf - Journal 3
Critique d'art n°55 







