In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Deep state - Mathieu Desjardins
Aristide n°4
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Victor Papanek - Design pour un monde réel
L'amie de mes rêves - Violette Gorgiard
Boundary - Nigel Peake
Le dos des choses - Guillaume Goutal
Guten Tag - Pablo Tomek
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
lebondieu - Claude Grétillat
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Optical Sound 3
Trous gris - Michel Vachey
Ce qu'est ce que - Gabriel Hibert
Humoral Fortuities - Francesco Albano’s
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Do insects play ? - Johanna Tagada Hoffbeck
La prise - Florian Javet
Bambi # 4 - Collectif
BIC011 Montes - Braulio Amado
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Piano - Joseph Charroy 















