In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Der Erste Rotkehlchen - Le livre
Illusive prosody - Alex Beaurain
Teddy et le Grand Terrible - Orian Mariat.
Escape - Makiko Minowa
The Shelf - Journal 3
Jířa - Lucie Lučanská
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Dernier royaume - Quentin Derouet
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Guerre - Marion Jdanoff (nouvelle éditions)
Sans titre - Chris Kiss
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Polyphème (d'après Euripide) - J. & E. LeGlatin
Critique d'art n°56
Home Cinema - Sarah-Louise Barbett
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Paysageur n°3 - Mobiles
Ce que l'histoire fait au graphisme - Clémence Imbert 















