In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Deep state - Mathieu Desjardins
America - Ayline Olukman, Hélène Gaudy
Hiver sur les continents cernés - F.J. OSSANG
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Collective Design : Alison & Peter Smithson
Prose postérieure - Les commissaires anonymes
La Couleur du Geste - Héloïse Bariol
Editer l’art – Leszek Brogowski
Menus Plaisirs - Lisa Mouchet
Gros Gris n°4 - Duel
Slanted 24 - Istanbul
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Collage - Laura McMorrow
Les oiseaux - Lola Raban, Jean-René Etienne 















