In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Artzines #12 Provo Special
Collective Design : Alison & Peter Smithson
Burning Images, A History of Effigy Protests - Florian Göttke
Il était deux fois - Gary Colin
Image Canoë - Jérémie Gindre
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Le dos des choses - Guillaume Goutal
Critique d'art n°56
Illusive prosody - Alex Beaurain
Deep state - Mathieu Desjardins
Sillo n°3 - Le Fauve
Schindler Manifesto
Le lacéré anonyme - Jacques Villeglé
Critique d'art n°55
Jardín de mi padre - Luis Carlos Tovar
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Le chateau enchanté - Atelier Mclane
La Bibliothèque grise - Jérôme Dupeyrat & Laurent Sfar
People in a faraday cage - Stéphanie Gygax
Optical Sound 2
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Ice & Cream - Florence Grivel, Julien Burri
Mökki n°4
Eldorado maximum - Les commissaires anonymes
Gros Gris n°4 - Duel 















