In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Before Science - Gilles Pourtier, Anne-Claire Broc'h
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Gruppen n°13 - Collectif
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Le dos des choses - Guillaume Goutal
Sans titre - Benjamin Hartmann
Je ne peux pas ne pas - Geneviève Romang
Musée des Beaux-Arts - Pierre Martel
Morph - Camilo García A.
The Book Fight - Chihoi
SKKS - Gilles Pourtier
Editer l’art – Leszek Brogowski
Tomber dans l'escalier - Jasper Sebastian Stürup
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Aurore Colbert - Marie Mons
Illusive prosody - Alex Beaurain
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Sous mes semelles - Anaïs Lapel, Gaspard Kasimir
Ventoline 6 - Coll
Plant-Based Monster Trucks - Lina Müller, Luca Schenardi
Imagos - Noémie Lothe
An Inventory Of - Daniele Franzella
Good Company - Paul Van der Eerden
Wayfaring - Patrick Messina, André S. Labarthe
Promenade au pays de l'écriture - Armando Petrucci
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
movement in squares - Stefanie Leinhos
Replacement Artwork - Alexandre Barré
Salt Crystal - Fabio Parizzi
Les Grands Ensembles - Léo Guy-Denarcy
Zoom Age - Julien Auregan
Critique & création - L.L. de Mars
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage 















