In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Before Science - Gilles Pourtier, Anne-Claire Broc'h
Talk Soon - Erik Kessels & Thomas Sauvin
Poèmes - Yvonne Rainer
Pluie - Coll. - Lagon revue
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Entretiens – Jérôme Dupeyrat
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
La grande surface de réparation - Gilles Pourtier
Eros negro n°4 - Démoniak
Close encounters of the hand and glove
Critique d'art n°55
Imagos - Noémie Lothe
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Mariken Wessels — Miss Cox
Temps d'arrêt - Etienne Buyse
Promenade au pays de l'écriture - Armando Petrucci
Tarwar - Ilan Manouach
Matriochka - Fanette Mellier (3ème ed.)
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Shanghai Cosmetic - Leslie Moquin 















