In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Le blanc nez - Fouss Daniel
Strates - Else Bedoux
Autodrône - Divine Vizion
Alma Mater n°1
Critique & création - L.L. de Mars
People in a faraday cage - Stéphanie Gygax
Dear Paul - Paul Van der Eerden
Radio-Art - Tetsuo Kogawa
Burning Images, A History of Effigy Protests - Florian Göttke
Ar(t)chitectures situées - Étienne Delprat
Temps d'arrêt - Etienne Buyse 















