In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Sans titre - Chris Kiss
L'œuvre des matières - Ivry Serres
Gros Gris n°4 - Duel
Pilote - Mathilde Sauzay
Dédale - Laurent Chardon
Objets Minces - Collectif
Forsythia, Lilac and Geranium - Raffaella della Olga, Camila Oliveira Fairclough, Elsa Werth
Eros Negro # 1 - Demoniak
Débris N°2 - Théo Garnier Greuez
Mökki n°2
Le laboratoire de fermentation - Ludovic Burel
the Ghost of Weaving - Coll.
Entrez sans sonnet - Julie Redon
Papier magazine n°06 - Coupe du monde
Join my patreon - Jooyoung Kim
Ice & Cream - Florence Grivel, Julien Burri
Aurore Colbert - Marie Mons
Alma Mater n°1
People in a faraday cage - Stéphanie Gygax
L'inventaire des destructions - Éric Watier
Pectus Excavatum - Quentin Yvelin 















