In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Crise de foie - Christine Demias
Lavalse des tambours - Paul Rey
Spécimen Typographique : No Ko - Loris Pernoux
Papier magazine n°06 - Coupe du monde
Retour d'y voir - n° 1 & 2 - Mamco
Eros negro n°3 - Démoniak
il y avait une ville - Laeticia L'Heureux
Pénurie - Zivo, Jérôme Meizoz
Objets Minces - Collectif
Le chateau enchanté - Atelier Mclane
Les ratons laveurs - Sophie Couderc
Poster Photo Magazine n°1
La traversée - Magali Brueder
UPO 2 - J'aimerai être là - Xenia Naselou
Vacuité 9090 - Jérémy Piningre
Entretiens – Jérôme Dupeyrat
Ravedeath Convention - Jan Philipzen
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Chantonnements - Geoffroy Pithon
ADBC du Dessin - Jacques Floret
Green (or moles on a golf course) - Aslak Gurholt
UP8 — Pour une pédagogie de l'architecture
Le déclin du professeur de tennis - Fabienne Radi
Illusive prosody - Alex Beaurain
Aurore Colbert - Marie Mons
Fluent - Laëticia Donval 















