In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

SKKS - Gilles Pourtier
Temps d'arrêt - Etienne Buyse
Florina Leinß - Ersatzteillager
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Débris N°2 - Théo Garnier Greuez
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Un cahier - Michel Quarez
Good Company - Paul Van der Eerden
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Avec ce qu'il resterait à dire - Anne Maurel
Christina Forrer - Don’t Swallow Your Tongue
How Many - Nathalie Du Pasquier
Critique d'art n°55
š! #39 'The End' - coll.
Musée des Beaux-Arts - Pierre Martel
Retour d'y voir - n° 1 & 2 - Mamco
Shanghai Cosmetic - Leslie Moquin
Zoom Age - Julien Auregan
Editer l’art – Leszek Brogowski
Fluent - Laëticia Donval 















