In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Aurore Colbert - Marie Mons
Retour d'y voir - n° 3 & 4 - Mamco
Matriochka - Fanette Mellier (3ème ed.)
Titanic Orchestra - Julien Mauve
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
IRL - In real life n°1 - Coll.
Good Company - Paul Van der Eerden
Le vieux père - Laurent Kropf
C'est les vacances n°2 - coll. dir. Eugénie Zely
America - Ayline Olukman, Hélène Gaudy
Aristide n°4
In The Navy - Julien Kedryna
interférence - 2 - maycec
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
I Am Not I - Boris Mikhailov
RISO La Colombe de Kant - Philonimo 8 - Émilie Vast
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Imagos - Noémie Lothe
Halogènure # 09
L'atelier partagé avec Géraldine Trubert
Mökki n°4
Dernier royaume - Quentin Derouet
Sur la page, abandonnés — vol.3
interférence - 3 - maycec
La typographie des Penguin Classics - Andrew Barker
Cuadernos - Henry Deletra
Marcel Proust en cinq minutes — Jackson B. Smith
La traversée - Magali Brueder
Véhicule N°7 - Collectif
Illusive prosody - Alex Beaurain
Fluent - Laëticia Donval 















