In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Gros Gris n°4 - Duel
Jean-Jacques a dit - Angèle Douche
Turlupin N°1 \ Soumission — Michael Dans
Hiver sur les continents cernés - F.J. OSSANG
Escape - Makiko Minowa
Editer l’art – Leszek Brogowski
Manuel d'écologie urbaine - Audrey Muratet, François Chiron
Le lacéré anonyme - Jacques Villeglé
Gruppen n°13 - Collectif
Modern Instances, The Craft of Photography - Stephen Shore
Une livre - Christine Demias
Documents relatifs à l'édition pirate du Traité du style de Louis Aragon par Gérard Berréby
Who Are You Dorothy Dean? - Edited by / Edité par Anaïs Ngbanzo.
Slow Down Abstractions - Adrien Vescovi
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
La Couleur du Geste - Héloïse Bariol
Keywording (Post) Contemporary Art - Greta Rusttt
Der Erste Rotkehlchen - Le livre
Vacuité 9090 - Jérémy Piningre
Wayfaring - Patrick Messina, André S. Labarthe
Comic Book (Untitled) - Stéphanie Leinhos
Saveurs imprévues et secrètes - Gilbert Lascault
Le chateau enchanté - Atelier Mclane
America - Ayline Olukman, Hélène Gaudy
Philatélie - Magali Brueder
Phasing Consequence - Louis Reith
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Alma Mater n°1
Dédale - Laurent Chardon 















