Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

9 octobre 1977 - Roberto Varlez
La construction - Perrine Le Querrec
Blaclywall by Sihab Baik - Claude Closky
interférence - 3 - maycec
Catalogue Art Guys - That's painting productions, Bernard Brunon
☀ - Manon Demarles
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Ar(t)chitectures situées - Étienne Delprat
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Typologie – La tente de camping
Un peu comme voir dans la nuit - Leif Elggren + CD
10 MINUTES Architects and Designers in Conversation
Objets Minces - Collectif
interférence - 2 - maycec
本の本の本 - antoine lefebvre editions, 







