Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Wayfaring - Patrick Messina, André S. Labarthe
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Pectus Excavatum - Quentin Yvelin
Inframince et hyperlié - Philippe Lipcare
Optical Sound 2
La tour Tatline - Georgi Stanishev
Editer l’art – Leszek Brogowski
La traversée - Magali Brueder
Eros Negro # 1 - Demoniak
Comic Book (Untitled) - Stéphanie Leinhos
La construction - Perrine Le Querrec
Lisa Zordan . one-shot the end
Critique d'art n°55 







