Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Photographic Fields - Joël Van Audenhaege
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Titanic Orchestra - Julien Mauve
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
SKKS - Gilles Pourtier
Entretiens – Jérôme Dupeyrat
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Aurore Colbert - Marie Mons
Flynn zine # 1 - Flynn Maria Bergmann
Le chateau enchanté - Atelier Mclane
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
It was a good day - Jeremy Le Corvaisier
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Zoom Age - Julien Auregan
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Citrus maxima xparadisi - coll.
il y avait une ville - Laeticia L'Heureux
Autodrône - Divine Vizion
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Dernier royaume - Quentin Derouet
La traversée - Magali Brueder
Bambi # 4 - Collectif
Darkest Night - Joel Van Audenhaege
The Shelf - Journal 3
On the Soft Edge of Space - Marleen Sleeuwits 







