Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Elk - Jocko Weyland
Yerevan 1996/1997 - Ursula Schulz-Dornburg
MENU メニュー - Wataru Tominaga
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Gruppen n°13 - Collectif
Assembly - Sam Porritt
Catalogue Art Guys - That's painting productions, Bernard Brunon
La prise - Florian Javet
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Le dos des choses - Guillaume Goutal
Aristide n°4
Schindler Manifesto
Dear Paul - Paul Van der Eerden
Sex I - Kingué Camille
Bambi # 4 - Collectif
Editer l’art – Leszek Brogowski
Papier magazine n°06 - Coupe du monde
Pénurie - Zivo, Jérôme Meizoz
Strates - Else Bedoux
genital or genius - Paul
< - Gabriel Kuri
L'inventaire des destructions - Éric Watier
Flynn zine # 1 - Flynn Maria Bergmann
Sillo n°3 - Le Fauve
Capolavori - Livio Vacchini
À partir de n°1 - Coll.
Dirty fish - Léa Abaroa
I Am Not I - Boris Mikhailov
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Étrangement seuls - Jean-Pascal Princiaux
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
SKKS - Gilles Pourtier
Cuadernos - Henry Deletra 







