Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Halfgrijs - Coll.
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Six Months - Nathalie Ghanem-Latour
Tomber dans l'escalier - Jasper Sebastian Stürup
De tels baisers - Jul Gordon
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Titanic Orchestra - Julien Mauve
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Fièvre - Ronan Bouroullec
Calendrier des révoltes - Matthieu Saladin
Red Horse - Sasha Kurmaz
Ce que l'histoire fait au graphisme - Clémence Imbert
On the Soft Edge of Space - Marleen Sleeuwits
People in a faraday cage - Stéphanie Gygax
Marginalia - Clément Laigle
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Illusive prosody - Alex Beaurain
Artzines # 10 - Show & Tell #2 NY Special
Gone - Pierre La Police
Pour une esthétique de l'émancipation - Isabelle Alfonsi
MENU メニュー - Wataru Tominaga
Zombie Girls 2.0 - Lucie Lučanská
Le Parfum du Silence - Bonnie Colin
Cuadernos - Henry Deletra 







