Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Musée des Beaux-Arts - Pierre Martel
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Ventoline 5 - Coll.
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Holy Mountain - Maia Matches, Knuckles & Notch
Les glaciers - Lorraine Druon
Le blanc nez - Fouss Daniel
Apiary - Robin Friend
Les soleils qui tournent ont des oreilles - coll.
Lucky Me - Eva Rotreklová & Jules Janssen
Gros Gris n°4 - Duel
Composite n° 04
Teddy et le Grand Terrible - Orian Mariat.
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Six Months - Nathalie Ghanem-Latour
CURIOSITY — David Lynch
Hello tomato - Marion Caron & Camille Trimardeau
She is warm - Iringo Demeter
Une goutte d'homme - Alice Dourlen
Papier magazine n°06 - Coupe du monde
Humoral Fortuities - Francesco Albano’s
Pectus Excavatum - Quentin Yvelin
Blaclywall by Sihab Baik - Claude Closky
Replacement Artwork - Alexandre Barré
La mémoire en acte - Quarente ans de création musicale
Strates & Archipels - Pierre Merle
Image Canoë - Jérémie Gindre
Sans titre - Chris Kiss
Dédale - Laurent Chardon
Turlupin N°1 \ Soumission — Michael Dans
Close encounters of the hand and glove
Deep state - Mathieu Desjardins
Sillo n°3 - Le Fauve
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril 







