Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Pectus Excavatum - Quentin Yvelin
How Many - Nathalie Du Pasquier
Aurore Colbert - Marie Mons
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Critique d'art n°56
Papier magazine n°06 - Coupe du monde
Marcel Proust en cinq minutes — Jackson B. Smith
Imagos - Noémie Lothe
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Der Erste Rotkehlchen - Le livre
A l'origine - Anne-Émilie-Philippe
Mökki n°2
Poèmes - Yvonne Rainer
Editer l’art – Leszek Brogowski
Lili, la rozell et le marimba / revue n°2
Je ne peux pas ne pas - Geneviève Romang
Perturbations - Rosaire Appel
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Costumes - Anne Jourdain
Piano - Joseph Charroy
Calendrier des révoltes - Matthieu Saladin
Tomber dans l'escalier - Jasper Sebastian Stürup
ICCMHW - Atelier Choque Le Goff
Konrad Becker - Dictionnaire de réalité stratégique
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Flynn zine # 1 - Flynn Maria Bergmann
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Sans titre - Chris Kiss 







