Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Le corps travesti - Michel Journiac
Slanted 24 - Istanbul
Le vieux père - Laurent Kropf
Imago - Bill Noir
Assembly - Sam Porritt
Dark optics - David Claerbout
Saveurs imprévues et secrètes - Gilbert Lascault
Critique & création - L.L. de Mars
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Retour d'y voir - n° 1 & 2 - Mamco
The Shelf - Journal 3
interférence - 3 - maycec
Women journal #3
Bienvenue à Colomeri ! - Hécate Vergopoulo,
L'internationale modique (AND 3) - J-M. Bertoyas
Blaclywall by Sihab Baik - Claude Closky
Teddy et le Grand Terrible - Orian Mariat.
Hmm ! - C. de Trogoff
Perturbations - Rosaire Appel
Sans titre - Chris Kiss 







