Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Watch out - Anne-Émilie-Philippe
Editer l’art – Leszek Brogowski
Strates & Archipels - Pierre Merle
Mökki n°4
Temps d'arrêt - Etienne Buyse
Dédale - Laurent Chardon
L'arum tacheté de J-M. Bertoyas
America - Ayline Olukman, Hélène Gaudy
Sillo n°3 - Le Fauve
Flynn zine # 1 - Flynn Maria Bergmann
Slanted 24 - Istanbul
IBM – Graphic Design Guide from 1969 to 1987
ARTZINES #3 - Tokyo issue
Bambi # 4 - Collectif
Aurore Colbert - Marie Mons
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Sans titre - Benjamin Hartmann 







