Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

IMPROVISATION N. 190220 - Miki Lowe
Folding Space Ship - ottoGraphic
Gruppen n°13 - Collectif
Hors jeu ! - Naomi Prost-Kasbi
Rasclose - Geoffroy Mathieu
Keywording (Post) Contemporary Art - Greta Rusttt
Photographic Fields - Joël Van Audenhaege
SKKS - Gilles Pourtier
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
twen [1959–1971]
Hérésie Étiologique - coll.
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Sights - Henry McCausland
Peniche Galactique - ottoGraphic (french ed)
Sans titre - Benjamin Hartmann 







