Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Délié - Baptiste Oberson
Offrir des fleurs
Wayfaring - Patrick Messina, André S. Labarthe
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
The Shelf - Journal 3
Revue La Ronde n°14
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Eros negro n°4 - Démoniak
Eros negro n°3 - Démoniak
Dessins pour Rugir - Virginie Rochetti
Hideous - Thomas Perrodin, Néoine Pifer
La mémoire de l’ordre. Les paradoxes du sens dans l’architecture moderne. - José Ignacio Linazasoro
Incipit - Aymeric Vergnon
The life of Ruben - Bernardo Sousa Santos 







