Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Deep state - Mathieu Desjardins
Le chateau enchanté - Atelier Mclane
Sans titre - Chris Kiss
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
ARTZINES #1, Paris issue
La typographie des Penguin Classics - Andrew Barker
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Slanted 24 - Istanbul
Assembly - Sam Porritt
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Le blanc nez - Fouss Daniel
The life of Ruben - Bernardo Sousa Santos 







