Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Piotr - Pierre Escot, Denis Lavant
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Tchat - Gary Colin
D’l’or - Rosanna Puyol Boralevi
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Email Diamant - Fabienne Radi
AARC – Alter Architecture Research Collective n° 01
Wayfaring - Patrick Messina, André S. Labarthe
The life of Ruben - Bernardo Sousa Santos 







