Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Hérésie Étiologique - coll.
Berlin Khaltura - Iliazd
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
À partir de n°1 - Coll.
Gros Gris n°4 - Duel
Femme, Arabe et... Cinéaste - Heiny Srour
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Après la révolution – numéro 1
Eros negro n°3 - Démoniak
(page 1 et 17) - Lorraine Druon
Aurore Colbert - Marie Mons
IRL - In real life n°1 - Coll.
Piano - Joseph Charroy
Karbone Magazine n°8 - Parasite
Photographic Fields - Joël Van Audenhaege
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril 







