Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Titanic Orchestra - Julien Mauve
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Ce que l'histoire fait au graphisme - Clémence Imbert
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Cuadernos - Henry Deletra
Turlupin N°1 \ Soumission — Michael Dans
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
L'eau jusqu'au nombril - Lilian Froger
The Shelf - Journal 3
Le vieux père - Laurent Kropf
Village - Julie Safirstein
Mariken Wessels — Miss Cox
Auprès, au sein — Julien Van Anholt
Escape - Makiko Minowa
Reading - Ilan Manouach
lebondieu - Claude Grétillat
Un essai sur la typographie - Eric Gill
Hiver sur les continents cernés - F.J. OSSANG
Tools of Encouragement - Erlend Peder Kvam
Gros Gris n°4 - Duel
Vanishing Workflows - Xavier Antin
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez 







