Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Mökki n°2
Ar(t)chitectures situées - Étienne Delprat
Sans titre - Benjamin Hartmann
Dernier royaume - Quentin Derouet
Le lacéré anonyme - Jacques Villeglé
Good Company - Paul Van der Eerden
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Temps d'arrêt - Etienne Buyse
Piano - Joseph Charroy
Denver Mosaic 1961 - René Heyvaert
Underground graphic design archive Paris
Les Grands Ensembles - Léo Guy-Denarcy
Choquer le monde à mort – Elles sont de sortie – Pascal Doury, Bruno Richard, Jonas Delaborde
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
ARTZINES #3 - Tokyo issue
Sans titre - Chris Kiss
Ludmilla Cerveny - Work
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Revue La Ronde n°14
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Cuadernos - Henry Deletra
Aube - Caroline Bachmann
L'œuvre des matières - Ivry Serres
Imagos - Noémie Lothe
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Orthèses - Guillaume Bonnel
Zoom Age - Julien Auregan
Fluent - Laëticia Donval
Folding Space Ship - ottoGraphic
Mökki n°4
Harry Thaler's Pressed Chair
Photographic Fields - Joël Van Audenhaege 







