Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Red Horse - Sasha Kurmaz
La France de tête - Lot de 4 numéros
Le chateau enchanté - Atelier Mclane
Image Canoë - Jérémie Gindre
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Tchat - Gary Colin
Du Fennec au Sahara - Guillaume Pinard
Roven n°5
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Seoul Flowers & Trees - tribute to Lee Friedlander
Lili, la rozell et le marimba / revue n°2
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez 







