Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Le Parfum du Silence - Bonnie Colin
La traversée - Magali Brueder
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Talweg 6 - La distance
Photographic Fields - Joël Van Audenhaege
SKKS - Gilles Pourtier
Bodies in Scattered Light - Andriu Deplazes
Les Grands Ensembles - Léo Guy-Denarcy
Deep state - Mathieu Desjardins
Pectus Excavatum - Quentin Yvelin
Le chateau enchanté - Atelier Mclane
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Papier magazine n°06 - Coupe du monde
Marcel Proust en cinq minutes — Jackson B. Smith
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Critique d'art n°56
Prose postérieure - Les commissaires anonymes
Teddy et le Grand Terrible - Orian Mariat.
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Gros Gris n°4 - Duel 







