Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Pik Nik à Talinn - Thomas Chmp
Le lacéré anonyme - Jacques Villeglé
Chantonnements - Geoffroy Pithon
Seoul Flowers & Trees - tribute to Lee Friedlander
Gros Gris n°4 - Duel
Aurore Colbert - Marie Mons
Strannberg – The Chauvinist Manifesto - Samuel Nyholm / Sany
Objets Minces - Collectif
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
À partir de n°1 - Coll.
Six Months - Nathalie Ghanem-Latour
Délié - Baptiste Oberson 







