Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Manuel pour formes et constructions nomades - Julien Rodriguez
Theatre - Dan Graham
Gros Gris n°4 - Duel
Der Erste Rotkehlchen - Le livre
The Shelf - Journal 3
Une ville plus-que-parfaite - Rui Silva
Dear Paul - Paul Van der Eerden
Vanishing Workflows - Xavier Antin
SKKS - Gilles Pourtier
Calendrier des révoltes - Matthieu Saladin
An Egyptian Story - Thibaut Kinder
Délié - Baptiste Oberson 







