Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Der Erste Rotkehlchen - Le livre
Polyphème (d'après Euripide) - J. & E. LeGlatin
Le vieux père - Laurent Kropf
Je ne peux pas ne pas - Geneviève Romang
Délié - Baptiste Oberson
Alma Mater n°1
Good Company - Paul Van der Eerden
Habitante 2 - Coll.
Bacon le Cannibale - Perrine Le Querrec
Le chateau enchanté - Atelier Mclane
Blaclywall by Sihab Baik - Claude Closky
10 MINUTES Architects and Designers in Conversation
Idoine & Nayoung Kim
Tomber dans l'escalier - Jasper Sebastian Stürup
Papier magazine n°06 - Coupe du monde
Gros Gris n°4 - Duel
Imagos - Noémie Lothe
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Grilles - Zelda Mauger 







