Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Spectres n°4 - Mille voix
Le lacéré anonyme - Jacques Villeglé
Dédale - Laurent Chardon
Lavalse des tambours - Paul Rey
Gros Gris n°4 - Duel
Papier magazine n°06 - Coupe du monde
Copy This Book - Eric Schrijver
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
interférence - 2 - maycec
Aurore Colbert - Marie Mons
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Keywording (Post) Contemporary Art - Greta Rusttt
Idoine & Supermarket
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Grilles - Zelda Mauger
Prose postérieure - Les commissaires anonymes
Mökki n°4
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Strates & Archipels - Pierre Merle
Bambi # 4 - Collectif
Comment réparer : La maternité et ses fantômes - Iman Mersal
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Optical Sound 3
Slanted 30 - Athens
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Pénurie - Zivo, Jérôme Meizoz
Burning Images, A History of Effigy Protests - Florian Göttke
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Sillo n°3 - Le Fauve
It was a good day - Jeremy Le Corvaisier 







