Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Gros Gris n°4 - Duel
Un peu comme voir dans la nuit - Leif Elggren + CD
Entretiens – Jérôme Dupeyrat
Cheat Sheets - Tiger Tateishi
It was a good day - Jeremy Le Corvaisier
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
Prose postérieure - Les commissaires anonymes
Der Erste Rotkehlchen - Le livre
Mission Control - Emir Karyo & Jan Wojda
Eros negro n°4 - Démoniak
Papier magazine n°06 - Coupe du monde
Retour d'y voir - n° 3 & 4 - Mamco
La tour Tatline - Georgi Stanishev 







