Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Holy etc. - Fabienne Radi
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Sébastien - Antoine Orand
Michael Riedel - Milan Ther
genital or genius - Paul
How Many - Nathalie Du Pasquier
L’île de Reil - Karine Portal
Sans titre - Benjamin Hartmann
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Green (or moles on a golf course) - Aslak Gurholt
Diario de Plantas (2 volumes) - Gabriel Orozco
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Eros Negro # 1 - Demoniak
Pénurie - Zivo, Jérôme Meizoz
It was a good day - Jeremy Le Corvaisier 







