Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

interférence - 2 - maycec
Débris N°2 - Théo Garnier Greuez
Seoul Flowers & Trees - tribute to Lee Friedlander
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
JJ – Tartine-moi et autres textes - Jill Johnston
Piano - Joseph Charroy
Optical Sound 2
Grilles - Zelda Mauger
Pectus Excavatum - Quentin Yvelin
Photographic Fields - Joël Van Audenhaege
Poster Tribune # 11
Echangisme et Seconde main - Fanny Laulaigne
Salt Crystal - Fabio Parizzi
It was a good day - Jeremy Le Corvaisier
Deep state - Mathieu Desjardins 







