Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Piano - Joseph Charroy
Grilles - Zelda Mauger
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Lili, la rozell et le marimba / revue n°2
Introduction à l'esthétique - Nakai Masakazu
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Prose postérieure - Les commissaires anonymes
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Critique & création - L.L. de Mars
Deep state - Mathieu Desjardins 







