Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Atopoz - Collectif
Philonimo - Le Loup de Hobbes - Alice Brière-Haquet, Herbéra
Konrad Becker - Dictionnaire de réalité stratégique
Planning - Pierre Escot
ARTZINES #3 - Tokyo issue
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Eros Negro # 1 - Demoniak
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Le blanc nez - Fouss Daniel
Hello tomato - Marion Caron & Camille Trimardeau
Dear Paul - Paul Van der Eerden 







