Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Roven n°4
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
☀ - Manon Demarles
Lili, la rozell et le marimba / revue n°2
Halogénure #04
Papier magazine n°06 - Coupe du monde
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Tomber dans l'escalier - Jasper Sebastian Stürup
Rasclose - Geoffroy Mathieu
Gros Gris n°4 - Duel
Dear Paul - Paul Van der Eerden
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Jardín de mi padre - Luis Carlos Tovar
Good Company - Paul Van der Eerden
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Jean-Jacques a dit - Angèle Douche
Le style anthropocène - Philippe Rahm
16 x 421 - Lorraine Druon
Le dos des choses - Guillaume Goutal 







