Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Before Science - Gilles Pourtier, Anne-Claire Broc'h
fig. #6 - antithèse
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
ARTZINES #1, Paris issue
Norovirus - Orgie en mers chaudes - Claude Grétillat
Strates & Archipels - Pierre Merle
Entretiens – Jérôme Dupeyrat
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Critique d'art n°55
Un peu comme voir dans la nuit - Leif Elggren + CD
Revue La Ronde n°14
Dear Paul - Paul Van der Eerden 







